The History of Others: Foreign Peoples in Early Chinese Historiography

Nicola Di Cosmo
Institute for Advanced Study
October 17, 2007

Nicola Di Cosmo, Luce Foundation Professor in East Asian Studies, School of Historical Studies. This lecture will provide an overview of the production and characteristics of alien history in early China, while acknowledging and attempting to gauge the cultural influence of these accounts among the alien people themselves, as "consumers" of histories they did not produce, but were used politically and in other ways.

Prospects in Theoretical Physics (PiTP) - 2007

Institute for Advanced Study
July 16, 2007

Prospects in Theoretical Physics is an intensive two-week summer program designed for graduate students and postdoctoral scholars considering a career in theoretical physics.  The 2007 program was held from July 16 to July 27. First held by the School of Natural Sciences at the Institute for Advanced Study in the summer of 2002, the PiTP program is designed to provide lecture courses and informal sessions on the latest advances and open questions in various areas of theoretical physics.

Afghanistan and Iraq: Failed States or Failed Wars?

Lakhdar Brahimi
March 28, 2007

Map of Western Asia

Having assisted in the postwar transitions in Afghanistan and Iraq, Lakhdar Brahimi, a Director's Visitor at the Institute in 2006-08, spoke in 2007 about the circumstances that led to the current situations in Afghanistan and Iraq. He examined the recent history of both countries and offered his perspective on the actions and non-actions that led to the present crises.

The Difficult Task of Erasing Oneself: Non-Composition in Twentieth-Century Art

Yve-Alain Bois
Institute For Advanced Study
March 7, 2007

Sculpture

Yve-Alain Bois, Professor, School of Historical Studies. The lecture examines how, rather than always leading to the myth of the death of painting (or sculpture), as Alexandr Rodchenko had it, the idea that the artist should erase all traces of him- or herself was a dictum that helped sustain many different artistic practices during the past century, from Kasimir Malevich's Black Square of 1915, Jean Arp's collages "according to the laws of chance" of 1916-18, and Piet Mondrian's modular grids of 1918-19, to Pop Art, Minimalism, Process art, Conceptual art, and beyond.